the silver lining

A breakthrough for my silver-trimmed Wexford: a few weeks ago, I discovered professional silversmith/polisher Harriete Estel Berman through a search for silver and silverplate care, namely, via the silver care tab of her site. A short email exchange about silver applied to glassware led to a suggested test that parallels the care instructions for holloware on the link above.

a display shelf of mostly heavily-tarnished silver trimmed Wexford by Anchor Hocking. a lookalike footed dish, a third-party jam serving using a Wexford votive holder, and a Kromex Vouge caddy holding regular crystal Wexford are mixed in.

To back up the story: the few past attempts to polish the silver trim on Wexford threatened to remove the plating before removing the tarnish. The take-away then was to leave the silver tarnished, most to a level that looked like pewter, since any grounds made toward polishing would simply retarnish over time.

another display shelf of mostly tarnished silver-trimmed Wexford by Anchor Hocking. some European lookalike lidded pitchers, lookalike lead crystal coasters, and jam server, and sugar pail join the mix.

The new silver care instructions both suggested a best option silver polish and introduced me to Renaissance Wax. Learning that I could seal the silver trim with the wax to slow the oxidation allowed me to maintain a polished state of these pieces.

a still life of Hagerty silversmith polish, a tin of Renaissance micro-crystalline wax polish, cotton makeup pads, and some tarnished silver-trimmed scalloped edged Wexford pieces on the stovetop, waiting for the process to begin.

The process was slow but rewarding; the results, rewarding. I divided the work over two weekends, taking approximtely fourteen hours to polish through my collection, waxing each piece as I went. The process is slow and tedious, but not hard. I went through two sleeves of makeup pads. I used most of the bottle of Hagerty polish and most of the 65ml can of Renaissance wax.

I followed the sites instructions for polishing holloware, which was identical to the suggestion via our email conversation: cotton makeup pads, lots of polish. The Renaissance wax is simply rubbing on and polishing as soon as it starts to dry, which is pretty much immediately after application.

the same Wexford scalloped bowls and dessert plates as in the stilllife above, except now polished, flanked by recently acquired (and polished) silver-trimmed beverage tumblers.

I will note here: any piece that had existing damage or lost to the silver trim lost a bit more silver in the polishing process. The pieces in excellent condition have no obvious loss. I left the trim on one lidded candy dish unpolished due to the sorry state of the silver trim. Polishing it might have removed more silver than it would leave.

a Wexford captain's decanter, with a polished silver collar, surrounded by polished silver-trimmed wine goblets. behind the grouping is a lookalike lidded pitcher to the left, and a Wexford silver-trimmed pitcher to the right.
a close-up of the bottom shelf, witht he larger silver-trimmed serving pieces. the silver-trimmed scalopped edges light up the case with bouncing reflections.
the middle display shelf, with smaller Wexford serving pieces and glassware. to the back left is a lidded candy dish with the patina left on the recesses of the silver trim to avoid rubbing the edges bare. to the back left is a tight view of the candy dish left unpolished due to silver loss.
a Wexford silver-trimmed decanter set by Anchor Hocking. a wine decanter is flanked by six silver-trimmed wine goblets. lookalike pieces with silver-plated metal lids and holders surround the set.
a close-up of the top shelf, full of pitchers, decanters, and glasses, all with silver trim. a stack of lookalike lead crystal coasters set in the front of all of it.
a silver-plated servers with two Wexford lookalike glasses, silver-plated lids and spoons. most of the silver-plated lookalikes are European imports.

I think I had committed to a lifetime collection of dingy and dark tarnished trim. I am elated to be mistaken. Putting the argument of vintage patina aside, I would much rather use and celebrate this collection as it was made and meant to be used than treat it like museum pieces.

the open display case, showing all three shelves of silver-trimmed Wexford glassware, including some silver-plated lookalikes and a chrome-plated go-with.

The wax is indicated for slowing the tarnishing process not halting it, so I do not know how long this shine will last, but I will invest in the wait to learn.

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